en" EN

Friday, October 4th
WHOLLY FULL

No hay información

Wholly Full is a physical theatre performance that explores adaptation to change – either to long-term transformations or to crises, when the norms of everyday life become distorted and uncertain.
Sunday, October 6th
AGRIDULCE
Cía UMAMI. Madrid
Nothing like you’ve tried before, this street dance duo creates classic numbers with contemporary touches in a surreal blend of breakdance, theater, pantomime and physical comedy, using the audience as a link in the story.
Wednesday, October 16th
Creation and presentation workshop: “Dramatized Readings in Movement”.
ACTIVITY with students of TAI (Escuela Universitaria de Artes)
Practical sessions with participating students from the Escuela Universitaria de Artes TAI interested in participating as performers in the dramatized reading of the book “Poéticas de creación en danza”, published by the Academia de las Artes Escénicas de España.
Wednesday, October 16th
PRESENTATION: “DRAMATIZED READINGS IN MOVEMENT”.
Presentation of the results of the workshops carried out with the 3 students of the TAI school.
They interpret the texts of the choreographers: Israel Galván, Cristian Martín and Chevi Muraday. The texts were published in the book “Poéticas de creación en danza”, edited by the Academia de las Artes Escénicas de España.
Thursday, October 17th
MÁS O MENOS INQUIETOS
Cía Daniel Abreu. Madrid.
The symbolism of this work is expressed through a light and subtle charge that every relationship carries. We play with gravity and balance. The wind and its recreation. The transfer of loads and poetry. Bodies move from the fragile, the sinuous.
Thursday, October 17th
BAILABAN LAS PEROLAS
Cía Laura López Muñoz y Pablo Pérez Alonso.

What is left after a house is demolished?

Who has the keys to this door?

Can I dance with you if you’re not here?

I wish those stones would listen to the party again…

Take the chairs away.

Don’t cry for me.

Ask me to dance.

Saturday, October 19th
IMAGINARIOS MONSTRUOSOS
Cía. La Lioparda.
A version that reveals the monster that we imprison inside us for conforming to the values of the culture under the unconscious belief that if we show our defective part, we will suffer rejection.
Wednesday, October 23rd
SEE SAW
Cía Collectif Troika.
In See-saw, the Troïka collective puts on the table questions about a facet of human nature: the human gambler. Metaphorizing the game to life, we ask ourselves: What are our greatest desires? What strategies are used to achieve them? Where are our limits?
Thursday, October 24th
“SWAN LAKE” VARIATIONS
Cía Elías Lafuente – Danza Down
Fragments of one of the representative white ballets of the universal repertoire “Swan Lake” P.I. Tchaikovsky, adapted to our dancers under the strictest canons of classical dance, choreographed by Elías Lafuente.
Thursday, October 24th
TRIBUTE TO ELÍAS LAFUENTE
Históricos de Danza
The invited artists must have a historical value for their trajectory and the era they have lived; either for being protagonists or pioneers in some activity, or even if they have not been outstanding protagonists in their art, they are valuable witnesses of an era.
Saturday, October 26th
LA SENCILLEZ DE MIRAR LUCIÉRNAGAS
Cía Babirusa.
It is a metaphor of how to arrange bodies in relation, from the true power of reflecting their interaction from themselves towards the whole, taking the risk of facing delicacy from physical contact and bonding to let the lights that reside in each other and in their exchange be seen.
Saturday, October 26th
RITO 1 _ DE HUERTO
Cía Paula Quintana.
It is part of the work HUERTO. It is the result of a deep research work between artistic professionals, astrophysical and biochemical sciences, technology and the so-called ‘occult sciences’, together with the body and its physical and emotional experience.
Sunday, October 27th
PINK OR BLUE
Cia. BorderlineDanza.
PINK OR BLUE is the title/content of the choreographic project related to Woman Made where the theme of gender is faced, with clarity and ambiguity, crossing meanings and sensations and trying to question what is felt and what are the certainties of the observer.
Sunday, November 17th
OPEN BORDERS
Cia. ENCLAVE DANZA
This theme inevitably connects us with a form of still life, with forgotten villages, with migrations and with agrarian problems in the era of digitalization; all seen through the prism of the women who inhabit these spaces. They inhabit bodies conditioned by their environment and climatology. We were also interested in addressing masculinities in agrarian environments.
Friday, October 4th
WHOLLY FULL

Wholly Full is a physical theatre performance that explores adaptation to change – either to long-term transformations or to crises, when the norms of everyday life become distorted and uncertain.

 

In this context, the metaphor of «topography», the fixation of changes in a landscape, is used, but the concept is expanded to refer also to the body, mental states and memory.

Sunday, October 6th
AGRIDULCE
Cía UMAMI. Madrid

A fast-paced adventure with two hilarious characters, told through several stories intertwined endlessly that won’t leave you blinking.


Nothing like you’ve tried before, this street dance duo creates classic numbers with contemporary touches in a surreal blend of breakdance, theater, pantomime and physical comedy, using the audience as a link in the story.

Wednesday, October 16th
TALLER DE CREACIÓN Y PRESENTACIÓN: “LECTURAS DRAMATIZADAS EN MOVIMIENTO”
ACTIVIDAD con alumnos del TAI (Escuela Universitaria de Artes)
Practical sessions with participating students from the Escuela Universitaria de Artes TAI interested in participating as performers in the dramatized reading of the book “Poéticas de creación en danza”, published by the Academia de las Artes Escénicas de España.
PRESENTACIÓN: “LECTURAS DRAMATIZADAS EN MOVIMIENTO”
Presentation of the results of the workshops carried out with the 3 students of the TAI school.
They interpret the texts of the choreographers: Israel Galván, Cristian Martín and Chevi Muraday. The texts were published in the book “Poéticas de creación en danza”, edited by the Academia de las Artes Escénicas de España.
Thursday, October 17th
MÁS O MENOS INQUIETOS
Cía Daniel Abreu. Madrid.

In every relationship (not only affective) there are always three in play. In this case, the field is that third element that sustains and contains them.

 

The symbolism of this work is expressed through a light and subtle charge that every relationship carries. We play with gravity and balance. The wind and its recreation. The transfer of loads and poetry. Bodies move from the fragile, the sinuous.

BAILABAN LAS PEROLAS
Cía Laura López Muñoz y Pablo Pérez Alonso.

What is left after a house is demolished?

Who has the keys to this door?

Can I dance with you if you’re not here?

I wish those stones would listen to the party again…

Take the chairs away.

Don’t cry for me.

Ask me to dance.

Saturday, October 19th
IMAGINARIOS MONSTRUOSOS.
Cía. La Lioparda.

Imaginarios Monstruosos begins when Pinocchio has already managed to become a child of flesh and blood. However, he lives with the fear of being discovered, the shame of having been born a puppet.


A version that reveals the monster that we imprison inside us for conforming to the values of the culture under the unconscious belief that if we show our defective part, we will suffer rejection.

Wednesday, October 23rd
SEE SAW
Cía Collectif Troika.
In See-saw, the Troïka collective puts on the table questions about a facet of human nature: the human gambler. Metaphorizing the game to life, we ask ourselves: What are our greatest desires? What strategies are used to achieve them? Where are our limits?
Thursday, October 24th
“EL LAGO DE LOS CISNES” VARIACIONES
Cía Elías Lafuente – Danza Down
Fragments of one of the representative white ballets of the universal repertoire “Swan Lake” P.I. Tchaikovsky, adapted to our dancers under the strictest canons of classical dance, choreographed by Elías Lafuente.
HOMENAJE A ELÍAS LAFUENTE
Históricos de Danza

The invited artists must have a historical value for their trajectory and the era they have lived; either for being protagonists or pioneers in some activity, or even if they have not been outstanding protagonists in their art, they are valuable witnesses of an era.

 

This year we want to pay tribute to a beloved artist who has recently left us. This is Elías Lafuente, choreographer whose work has been to raise an important Down Dance company in times when people with functional diversity were hardly considered. His company survives him, that was the most important thing for him… that’s what we are going to talk about…

Saturday, October 26th
LA SENCILLEZ DE MIRAR LUCIÉRNAGAS
Cía Babirusa.
It is a metaphor of how to arrange bodies in relation, from the true power of reflecting their interaction from themselves towards the whole, taking the risk of facing delicacy from physical contact and bonding to let the lights that reside in each other and in their exchange be seen.
RITO 1 _ DE HUERTO
Cía Paula Quintana.

It is the rite of a female body that desires, that transforms and is transformed, as part of a galaxy of knowledge, processes, times, emotions, heritages and scales.

 

It is part of the work HUERTO. It is the result of a deep research work between artistic professionals, astrophysical and biochemical sciences, technology and the so-called ‘occult sciences’, together with the body and its physical and emotional experience.

Sunday, October 27th
PINK OR BLUE
Cia. BorderlineDanza
PINK OR BLUE is the title/content of the choreographic project related to Woman Made where the theme of gender is faced, with clarity and ambiguity, crossing meanings and sensations and trying to question what is felt and what are the certainties of the observer.
Domingo 17 de noviembre
OPEN BORDERS

Compañía EnClaveDANZA

Open borders began as a utopia about opposing visions: the rural and the urban with a focus on women in a hollowed out Spain.

 

This theme inevitably connects us with a form of still life, with forgotten villages, migrations and agrarian nature, with forgotten villages, with migrations and with agrarian problems in the age of digitalization; all seen through the prism of the women who inhabit these spaces. They inhabit bodies conditioned by their environment and climatology. We were also interested in addressing masculinities in agrarian environments